This image shows the translucency of the work to far greater effect. I love the subtlety of this piece. Sadly though the base is cracked, but at least I can share the image here.
I haven't produced much work recently but have been busy with Plaster of Paris developing some new forms and moulds. The image above is one of the new forms. I am also developing a series of setters for my work. Until now I have used the subtle distortions created by the firing process as part of the uniqueness of each piece. I am now looking at a variety of setters to use in the kiln so that, if desired, I can keep the original shape during the firing. By the end of this month all the moulds should be complete and dry and the new pieces should make an appearance.
There is a new ceramics publication in cyberspace. Congrats to Deon de Lange for putting together this online magazine as well as a ceramic-focused social network.
These pieces have been fired to 1000 C ready to be fettled and then decorated. Because of the lack of green strength the body is first fired before any fettling is carried out using wet waterproof sanding paper. Once dry the pieces are decorated first with a wax resist and then painted with various soluble salt solutions. Thereafter the work is fired to 1250 C to achieve vitrification and translucency
