
July has been quite a month as far as producing work goes. I am busy making for an exhibition opening at 'Objekt' on August 6th as well as for 'Decorex' opening on the same day. These are 3 pieces that were in yesterday's firing.

July has been quite a month as far as producing work goes. I am busy making for an exhibition opening at 'Objekt' on August 6th as well as for 'Decorex' opening on the same day. These are 3 pieces that were in yesterday's firing.


At last I have some new images to post. I am currently working for an exhibition at 'Objekt' in August, more details about this in a later post, but for the present here are a few images to whet the appetite.
On the 20th of June I went to the opening of Clementina van der Walt's new exhibition at the Kim Sacks Gallery in Parkwood, Johannesburg.
The work in the main part of the gallery pulsates with colour and energy which could only be borne of Africa, and this work is juxtaposed with a beautifully elegant display of monochromatic pieces on the other end of the exhibition space. Clementina's work is always a joy to see and if you are in the area I urge you to visit the exhibition before the end of its run on the 12th of July
This past weekend I had the pleasure and privilege of attending a workshop by Cape Town ceramic artist Lisa Firer. I have loved her work for years, and her workshop revealed someone of immense generosity and professionalism. How wonderful it is to see other ceramists sharing their stories and working methods. Her work is dependant on the interplay of light and the extreme delicacy is breathtaking. Visit her website to see examples of her truly beautiful porcelain pieces.



Towards the end of last month I came across a mention of paperplaster on a website. It sounded amazing and I contacted a number of people regarding this and will be forever grateful to Sandra Black, the renowned Australian ceramist, for responding so generously to my enquiry. I was blown away with her unbelievably detailed reply. She also forwarded my mail to Trudy Golley, who came up with the method.
Trudy Golley also replied and informed me that an article she wrote on paperplaster would appear in the next issue of 'Ceramics Technical' the ceramic journal. I have just read it and it is a complete step by step guide to her process. Talk about syncronicity!
I have made a number of moulds this week using this revolutionary process. It has completely changed my approach to mould making forever. No more cottle problems. Lightweight moulds and most exciting, moulds that can be used the day after making. Truly a miracle